Borrower of the Night: The First Vicky Bliss Mystery
(OverDrive MP3 Audiobook, OverDrive Listen)
It began as a game, a treasure hunt in an old German castle. For the beautiful and brilliant Vicky Bliss, it was also a challenge, a chance to bring an arrogant young man down a notch or two. And all things considered, it would have been no contest.
The prize was a centuries-old shrine carved by Tilman Riemenschneider, probably Germany's greatest master of the late Gothic period. The place was the forbidding Schloss Drachenstein, where the stones were stained with ancient blood and the air reeked of evil.
The problem was that someone was targeted, and the game was soon being played in deadly earnest.Vicky Bliss must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place—or someone frighteningly real is willing to kill for what Vicky is determined to find.
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Elizabeth Peters. (2000). Borrower of the Night: The First Vicky Bliss Mystery. Unabridged Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)Elizabeth Peters. 2000. Borrower of the Night: The First Vicky Bliss Mystery. Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)Elizabeth Peters, Borrower of the Night: The First Vicky Bliss Mystery. Blackstone Publishing, 2000.
MLA Citation (style guide)Elizabeth Peters. Borrower of the Night: The First Vicky Bliss Mystery. Unabridged Blackstone Publishing, 2000.
| Library | Owned | Available |
|---|---|---|
| Shared Digital Collection | 1 | 0 |
| Wilkinson Public Library | 0 | 0 |
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Elizabeth Peters earned her Ph.D. in Egyptology from the University of Chicago's famed Oriental Institute. During her fifty-year career, she wrote more than seventy novels and three nonfiction books on Egypt. She received numerous writing awards and, in 2012, was given the first Amelia Peabody Award, created in her honor. She died in 2013, leaving a partially completed manuscript of The Painted Queen.
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It began as a game, a treasure hunt in an old German castle. For the beautiful and brilliant Vicky Bliss, it was also a challenge, a chance to bring an arrogant young man down a notch or two. And all things considered, it would have been no contest.
The prize was a centuries-old shrine carved by Tilman Riemenschneider, probably Germany's greatest master of the late Gothic period. The place was the forbidding Schloss Drachenstein, where the stones were stained with ancient blood and the air reeked of evil.
The problem was that someone was targeted, and the game was soon being played in deadly earnest.Vicky Bliss must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place—or someone frighteningly real is willing to kill for what Vicky is determined to find.
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It began as a game, a treasure hunt in an old German castle. For the beautiful and brilliant Vicky Bliss, it was also a challenge, a chance to bring an arrogant young man down a notch or two. And all things considered, it would have been no contest.
The prize was a centuries-old shrine carved by Tilman Riemenschneider, probably Germany's greatest master of the late Gothic period. The place was the forbidding Schloss Drachenstein, where the stones were stained with ancient blood and the air reeked of evil.
The problem was that someone was targeted, and the game was soon being played in deadly earnest.Vicky Bliss must face two equally perilous possibilities. Either a powerful supernatural evil inhabits this place—or someone frighteningly real is willing to kill for what Vicky is determined to find.
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